LANGUAGE, LITERATURE, FOLKLORE MAGAZINE, NO. 1 / 2026
| Alexandru BURLACU | SHORT PROSE FROM BESSARABIA. FACE TO FACE WITH “THE NEW EPIC” (1940-1990) |
|---|---|
| DOI: 10.52505/llf.2025.1.01 | CZU: 821.135.1(478)-32.09(091) |
| Dorina ROTARI | VASILE COROBAN AND THE AFFIRMATION OF THE CRITICAL SPIRIT IN AN IDEOLOGICAL CONTEXT |
|---|---|
| DOI: 10.52505/llf.2026.1.02 | CZU: 821.135.1(478).09:929 |
| Oxana CHIRA | IULIAN CIOCAN IN DER DEUTSCHSPRACHIGEN PRESSE: REZEPTION UND LITERARISCHE SICHTBARKEIT |
|---|---|
| DOI: 10.52505/llf.2026.2.03 | CZU: 821.135.1(478).09:929 |
| Constantin IVANOV | SATIRICAL-IRONIC RECORDS IN THE EXPOSITION OF SOME SOCIO-HUMAN DEVIATIONS |
|---|---|
| DOI: 10.52505/llf.2026.2.04 | CZU: 821.135.1.09-7:316.624 |
| Ștefana MAN | LAUGHTER AS A FORM OF RESISTANCE IN THE TRANSYLVANIAN HUMOROUS PRESS. THE CASE OF CALICUL MAGAZINE |
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| DOI: 10.52505/llf.2026.1.05 | CZU: 070.48:82-7(498.4):316.485.26 |
| Ion BĂRBUȚĂ | PERFORMATIVE VERBS: WHEN SAYING MEANS DOING |
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| DOI: 10.52505/llf.2025.1.06 | CZU: 811.135.1 |
| Nicolina MUNTEAN | WORD FORMATION IN THE CONTEMPORARY WINE LEXICON |
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| DOI: 10.52505/llf.2026.1.07 | CZU: 811.135.1’373.611:663.2 |
| Natalia HARITON | THE DIDACTIC USE OF THE LITERARY ESSAY (APPLICATIONS TO THE ESSAY “GÂNDUL”, BY GEORGE MENIUC) |
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| DOI: 10.52505/llf.2026.1.08 | CZU: 821.135.1(478).09:37.016:82 |
| Francesca-Renata CHIROBAN | ORCHESTRATED CHILDHOOD: SYMBOLIC PEDAGOGY AND AFFECTIVE HEGEMONY IN THE DISNEY IMAGINARY |
|---|---|
| DOI: 10.52505/llf.2026.1.09 | CZU: 398(133) |
| Dumitrița DREGLEA | DOGGY, BY MARIA PILCHIN: A PSYCHOANALYTIC PERSPECTIVE |
|---|---|
| DOI: 10.52505/llf.2026.1.10 | CZU: 821.135.1(478).09:159.964.2 |
| OXANA GHERMAN AND THE MAPPING OF HUMAN PLURALITY | |
| CZU: 821.135.1(478).09:929 | |
| Natalia HARITON |
| THE LINGUISTIC IMAGINARY: NINA CORCINSCHI IN DIALOGUE WITH KLAUS BOCHMANN | |
| CZU: 811.135.1:929(047.53) | |
| NINA CORCINSCHI |